I Puritani and the screens at the Wiener Staatsoper

Going to the opera is one of my favorite hobbies and what better place to do so than the Wiener Staatsoper? I consider myself a regular visitor and by far I have seen a great variety of operas. For the longest time, however, I was not able to go an see a performance (half a year if I have to be precise) but on Sunday I was back at my second home for I Puritani.

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For the times you are feeling sad

Okay, this is maybe a little bit more personal, but, hey, who hasn’t been through something bad in their life and wanted to wind off! I sure have been. Whether it is being homesick, going through a heartbreak or just being disappointed, there are tough times in life and we have to find a way to handle them. Here are some of my tips and methods how to deal with those days when you just feel everything läuft schief.


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Fidelio for the 4th time!

On Friday I had the chance to go and see Fidelio at the Vienna state opera for the 3rd time already. The first time I have seen the opera was in Volksoper back in 2015. I was pleasantly surprised with the amazing performance of Peter Seiffert and Camilla Nylund. If you are not familiar with the opera life in Vienna this is one of the most loved operas that the Viennese have the pleasure to see. As you can imagine the room is always full and at the end of each aria you would always hear the loud “Bravo!” and why not accompanied by a whistle or two. Every time I have been at the Vienna state opera for this performance it is the same procedure.

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Eugen Onegin

It has been a long time since I had some spare time to enjoy an opera, but I planned last night for a while now so I would not miss it. One of my very favorite composers is Tchaikovsky, however, I enjoy opera more than anything else, so when I know one of his operas is coming up on the program I cannot skip it.

Eugen Onegin is an opera, which tells Pushkin‘s story in a more reverse way. As a contrast to the famous novel, in the opera, the audience is able to see Tatjana’s  perspective instead of Onegin’s. If you haven’t read the novel I’ll just tell you in a few sentences what is it about.


(Anna Netrebko as Tatjana)

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So yesterday I was at the Vienna State Opera to see Tosca after I saw it in my hometown in the summer. It was part of the repertoire last season but I just did not have the time to see it at the time and I knew it was coming this season again so I just decided to wait. I think I made a good decision because it turn out that I would probably see the opera twice this season because of the cast which is starring.

Yesterday it was concluding Maria José Siri and Roberto Alagna which both are amazing singers and it was a pure pleasure to hear them both sing. I have to be honest I caught myself feeling very emotional and my eyes teared up – the acting was so convincing and as you may know the plot is very dramatic.

For those of you who are not familiar I will briefly explain it – the first act begins in a church where the painter Mario is doing a painting of Maria Magdalena. At the time there is this guy that escaped prison and came to hide in the same church. Turns up both of them know each other and are actually old friends so Mario promises him to shelter him in his house and help him out. After that his mistress Tosca comes into the church. She is a rather jealous gale and she asks him thousand questions who is he there with and why is the woman in the painting resembling a girl from the church. Then he convinces her there is nothing to worry about and send her away.

Because the police are searching for escaped prisoner they come searching in the church. Ahead of the troupe is Sparafucile who is actually in love with Tosca. He decides to find a way to get rid of Mario and make her somehow surrender to be his. He tries to convince her that the painter is cheating on her and now is involved in the crime because he is hiding a criminal. Tosca doesn’t want to believe it but soon they capture Mario and start torturing him in front of her to make them both confess where the prisoner is. Sparafucile tells Tosca that she can save her beloved one if she surrender herself to him. She is repulsed but when he is about to send the guards to execute him she changes her mind. She makes him promise that he will set Mario free and he will give them both a document with which they would flee. Once he singed it he approaches her but she has been hiding a knife with which she stabs him and he dies. At that time Mario is writing his final letter to Tosca (and sings the most famous aria in the opera) because he thinks he will never see his beloved one again. In that moment Tosca comes and confesses everything she has done and tells him that the guards won’t shoot him for real so he has to pretend that he is dying and then they can travel far away. The hug and kiss each other, tears of joy (mine were tears of sadness) and the time for the execution comes. Tosca is observing from aside and sees the whole process. She is talking to herself what a good actor Mario is but once the guards are gone she sees that he is really dead. In the same time the murder of Sparafucile is found out and they search for Tosca so they can capture her. But there is nothing more on this world for her and she kills herself by jumping from the fortress’ walls.

So as you can see it is so dramatic because once you know the plot you can fully realize what is going on. I think for me the most tragic part was when they both weren’t suspecting anything, making promises to each other and plans how they would be together once everything is over and in the mean time I, as a viewer, knew exactly what was upon the two of them. Don’t get me wrong I know it is just acting but first – it looks very real on stage, especially if you have high class opera singers like these ones, which can make you believe that they are in love, dead and going through all kinds of emotions. Second it is just a metaphor for how life really is – you never know what lies ahead of you. One can make plans as much as they want but your future is not always determined solemnly by you.

The setting I must admit was not very impressive – there are far better ones that I have seen in Vienna and I mean there is nothing wrong with it but it is just too classical. I have nothing against it but since we are in the 21st century it is not a bad idea things to evolve and progress with time. I’ve seen successful and unsuccessful modern performances and there is a very thin line between them both but still the same setting since 1958, come on. (Yes, it is really that old, if you don’t trust me you can check it up on the Vienna State Opera website)

And even though I have my little remarks I personally think the atmosphere you get, quality and just experience is the best one can have. You just feel at home. I would highly recommend to go there at least once and witness it yourself.




(c) Tosca/ wiener-staatsoper.at

Die Fledermaus

I’ve been fascinated with opera for as long as I can remember. My parents introduced me to this art from a very early age. I think I was five years old when they first took me with them at an opera and it was exactly for Die Fledermaus. I remember very vaguely what was happening but I remember I liked it – I liked it a lot. Maybe because of the princess dresses they were wearing or maybe because of the amazing music but I fell in love. From then on I’ve seen more than fifty operas in my life and for a 20 year old person I think that is quite a number.

As Richard Gear’s character in “Pretty Woman” says: “People’s reactions to opera the first time they see it is very dramatic; they either love it or they hate it. If they love it, they will always love it. If they don’t, they may learn to appreciate it, but it will never become part of their soul.” I really love this quote because it depicts it rather well and that is how it really is. I’ve witnessed many people seeing an opera for the first time and that is really the way it is.

Last night I saw the performance at the Volksoper and I have to admit – it awakened so many memories and warm feelings. The setting is very well made. It is very colourful and moving and keeps you very entertained the whole time. The music needs no comment – Strauss just wrote a masterpiece in which he captured the Viennese spirit and only when you hear it you can really feel it. Of course the overture and the waltz are one of the most famous and loved parts from the opera (mine as well).

As you may all know, opera is not a very cheap art. This would lead to think that with a student budget you have to be careful what you choose to see – not at all. There is this option in Vienna both in Volksoper and Staatsopera, mainly, to get standing places tickets. Very cheap – around 3 or 4 euro and totally worth it. The view you get is great and if you are lucky sometimes you may even be able to sit.

The other option you may choose is to buy a Restkarte (tickets that were not sold throughout the day) although that is valid only for students under 26 years. I chose this option yesterday – it is not as cheap as the standing places but is a very economic option – around 12 euros. I decided to take my chance and purchase that and I got a place at the balcony on the second row – how cool is that? So that way I was able to fully enjoy the performance and let myself sink completely within the music.

And that is trailer for the operette from the Vienna State Opera.